環環相扣展
展期:2014.8.8~9.28.
開幕茶會暨座談會:2014.8.16(六) 14:00
講者:王藁賢,Athena,林育正,黃文琳
潭底蓆教學活動場次: 8/23(六) . 8/30(六) 14:30 共兩場
原行廠域藝術家導覽:
張淨然2014.8.16.(六) 15:00~16:00
陳美嘉2014.8.23.(六) 15:00~16:00
黃文琳2014.8.30.(六) 15:00~16:00
鄭農軒2014.9. 6.(六) 15:00~16:00
陳慧郁2014.9.13.(六) 15:00~16:00
林慧姮2014.9.20.(六) 15:00~16:00
展覽場地(兩場地同步展出,不定期藝術家快閃換展)
原行廠域:台北市內湖區新湖一路288號3樓
(每週日,一公休)開放時間:11:00~18:00
穿越九千公里交給你:台北市民權東路三段160巷19弄16號號
(每週一公休)開放時間:12:00~24:00
http://www.archetypefactory.com/?p=919
環環相扣
文 王藁賢
空間（space）與時間（time），可以說是人類存有的基本因素；因為有空間，所以會有各種造形、色彩、位置等概念；也因為有時間，所以才能有運動、永恆與短暫等變化，理解空間我們可以透過物理性的思維去掌握，透過科學的量化數據去形成一個數學性的幾何世界，我們也可以用Immanuel Kant的先驗（transcendental）原則去感知，那麼空間就會被認知成為人類活動的「感性條件」。至於空間對於一般人來說是一個具體的、與生活經驗息息相關的存在，是人類生活世界的空間。而空間也可以是時間的（temporal）空間，由時間的長短來詮釋空間的意義，當然也能是Maurice Merleau-Ponty所言的身體的空間。
《環環相扣》展係以｢空間、時間｣為題，作為主體意象來探討「以空間為主體；進入時間的思維中藝術展覽的呈現方式｣；在博物館與新興展演空間的現實下，藝術家在面對日益複雜的展覽方式、作品呈現與時間、空間的關係、觀眾與作品的互動等，所衍生的展覽價值進行探討。《環環相扣》展；用以扣緊時間與空間的關係外，更是藝術家在探討藝術作品進入「日常空間」與「博物館」式展覽空間，觀眾族群與作品互動的研究。除了展覽空間的實驗外；本展覽另一個呈現方式是展出的時間性，以時間的流轉、輪動、快閃的方式「扣」住空間的定義，藝術家與作品、觀眾三者間在空間與時間的變動中，一個環節扣住一個環節的展出方式。
第一階段展覽由藝術家陳慧郁與黃文琳在Ahora西班牙廚房的「日常空間」展出，做為藝術作品「進入」常民文化的一個媒介，探討藝術作品在日常空間與觀眾「相遇」而非純粹以展示性價值存在的互動關係。第二階段展係由藝術家王藁賢、林育正、林慧姮、陳美嘉、陳慧郁、黃文琳、張淨然、曾資婷、楊淑芳、鄭農軒在「原行廠域」藝術空間展覽，以藝術品的靜態展示為呈現方式，在藝術作品進入由企業組織提供的藝術空間，讓藝術家及藝術作品「進入」公司空間「上班」? 第三階段展覽方式由藝術家分別在「穿越九千公里交給你」及「原行廠域」兩空間進行短時間的展示及移動、用以探討藝術展示的空間性與時間性命題。
Möbius strip
Space and time, it can be said that the fundamentals of human being. Because of the existence of space, there will be all kinds of shape, color, location and concepts. Because there is time that in order to have turning time, eternal and transient changes. Understanding of space, we can understand the thinking through physical. To form a mathematical quantitative data through the geometric world of science. We can also go with Immanuel Kant’s transcendental perception. Then the space will be perceived by human activities become “emotional condition. ” As the space for most people is a concrete, emotional condition and life experiences are closely related to the existence. Space is the space of human life, a temporal space can be, by the time to explain the meaning of space. Of course, it can be said that the body space by Maurice Merleau-Ponty raised.
” Möbius strip ” exhibition is “space and time” as the main core. As the main imagery to explore the “space-subjects; into the thinking of the time of presentation of art exhibitions.” In the museum and the new exhibition space of reality, the artist’s exhibition in the face of increasingly complex ways, the work presents the relationship between time and space, interactive audience with works such as, explore the value of the derivative of the exhibition. “Möbius strip” ; concept to link with the Möbius strip relationship of time and space, more artists to explore works of art into “living-space” and “museum” type of exhibition space, study the interaction between the viewers and the works. In addition to the experimental exhibition space; this exhibition is on display in another presentation temporal,to transfer time, turn, flash, to link definition of space, artists, works and the audience movements in space and time, a way to display of key connection a key.
The first stage of the exhibition by the artist Chen,Hui-Yu and Huang,Wen-Lin exhibited at Ahora’s “living-space”, used as works of art “into” ordinary people of a culture medium, discuss works of art in living-space to meet with the audience, rather than simply to demonstrate the value. The second stage exhibition by artist Wang,Gao-Shyan, Lin,Yu-Cheng, Lin,Hui-Heng, Chen,Meei-Jai, Chen,Hui-Yu, Huang,Wen-Lin, Rebecca Chang, Tseng,Tzu-Ting, Yang,Shwu-Fang, Cheng,Nung-Hsuan in “Archetype Factory ” exhibition, in the static display showing. Art works into the space provided by the organization. Make the artists and their works “into” the company space “going to work”? The third stage, by the artist in the “Wash Cafe” and “Archetype Factory ” two places to go for a short time display and mobile, to discuss art exhibition space and time proposition.
By Wang,Gao-Shyan
